![]() Often, this will come in the form of a free lunch/dinner/coffee. So, the first rule of spotting bad financial advice is when the financial advisor is trying to sell you a product. In fact, this happened to me and it is the reason I can’t get personal disability insurance to this day… and he was the brother of a medical school classmate of mine. No matter how good of a person they are, it is going to be extremely hard for them not to sell you their products. Why then would you use a fee-based financial advisor who works for an insurance company? Their job is to sell insurance products and to make money from the commission they get when they sell it to you. It’s pretty regular advice these days that you shouldn’t mix investments and insurance. In knowing them, you can seek better financial advice or at least mitigate the conflicts that exist. More specifically, here are eight ways that you can tell if a financial advisor has a major conflict of interest. So, today’s post will be about separating the wheat from the chaff. And it really got me fired up about how to avoid conflicts of interest and what a good financial advisor looks like. ![]() In this episode, he interviews Sarah Catherine Gutierrez, a financial advisor, who spells it all out. In the process of writing that chapter, I had the opportunity to hear a WCI podcast episode. Why? Because conflicted financial advice is one of the biggest reasons that physicians make financial mistakes. Produced stories about protests, public hearings, and other news events for the nightly newscast, and put together a 30-minute documentary about local education issues, which ran serially.In The Physician Philosopher’s Guide to Personal Finance, one of the chapters is on conflict of interest. WMNF 88.5 FM | news reporter (June 2009-Sept. 2012-March 2013)Ĭovered technology, health, business, and science stories for the print magazine contributed research and sidebars for feature stories, fact-checked and produced print stories for the web. Provided live coverage for SXSW and CES.įast Company | editorial intern (Jan. 2015), editorial assistant (March 2013-March 2014)Įdited and wrote technology and science stories for print and web, launched and hosted a podcast and animated video series, edited stories about historical inventions and ideas. Popular Science | assistant editor (March 2014-Aug. Created, hosted, and edited the Futuropolis podcast for Popular Science and Panoply. 2016)Ĭovered science, technology, business, and more for Popular Science, The Guardian, Businessweek, Scholastic ScienceWorld, Architect Magazine, and others. Wrote and edited scripts, recorded narration, and edited tape for ’s three weekly podcasts as part of a two-person team edited short Facebook videos.įreelance | writer, editor, and podcast producer (Aug. ![]() Researched and booked guests, wrote and edited scripts, engineered recordings, and mixed and edited episodes produced a newsletter, maintained a website, and managed social media channels. Produced weekly podcasts including Why Oh Why, Bad With Money, When Meghan Met Harry, Family Ghosts, and Broken Record. Panoply Media | producer (April 2018-Sept. Clients include: T Brand at the New York Times, Gilded Audio, Stitcher, Mash-Up Americans, Wondery, Bloomberg, Hello Sunshine, Soul Pancake, Transmitter Media, Slate, and Spoke Media. ![]() I enjoy all aspects of creating a podcast or audio piece. I’ve led productions and also worked on teams. I’ve worked in nearly every role - story and idea development, editing scripts, writing scripts, pre-interviewing, guest booking, field and studio recording, directing interviews, narration coaching, hosting and reporting, assembling sessions, scoring, mixing and mastering. I’ve also worked on teams producing shows including: Gravity, She Makes Money Moves, As She Rises, Womanica, Uncommon Ground with Van Jones, and I Was Never There.įreelance producer, editor, writer (Sept. I led production for season one of Science Will Win, a branded podcast about gene therapy. ![]() Producer, Wonder Media Network (May 2021-June 2022)Īs a producer at Wonder Media, I worked on a variety of projects. I’ve created new internal systems and editorial processes and standards for the company, piloted an internal training series for producers, and also served as editor on shows such as Ordinary Equality, Brown Girls Guide to Politics, Womanica, Science Will Win, The Antigen, and a forthcoming narrative show about textbook censorship. Editor, Wonder Media Network (June 2022-present) ![]()
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